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The bedrock of a holistic defender office is an interdisciplinary team of passionate advocates committed to addressing each client's most pressing legal and social support needs, and fighting by her side no matter what. Meet the team:. Prior to that, she researched and wrote policy recommendations on early childhood education and care, poverty, and racial justice at the Center for American Progress. She received her J.

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Last year, more than 50 Oklahoma-based artists set out to record Fire in Little Africaan album that commemorates the centennial of the Tulsa Race Massacre.

Rappers, singers, and producers spent several days working tirelessly from their respective locations, aiming for musical excellence. While the recording process was unconventional due to the emergence of the pandemic, the collaboration ultimately produced a one-of-a kind project. After recording around songs and finalizing production through video chat, Fire in Little Africa came to fruition.

Rather than solely focusing on the past, Fire in Little Africa is an auditory viewpoint of Black America today. Equally powerful and timely, the album is centered around racial injustice, activism, generational wealth, education, reparations, and entrepreneurship.

Roughly 1, homes were destroyed, leaving thousands of people displaced. At the time, Greenwood was one of the most prosperous Black communities in America — occupied by attorneys, doctors, real estate agents, business owners, and other professionals. Strikingly, the spirit of Greenwood can still be felt all through the Fire album. Tate Brady a Ku Klux Klan member and massacre organizer. Collectively, Fire in Little Africa is a multimedia project comprised of an album, documentary, podcast, and a forthcoming curriculum. Fire in Little Africa is also the first project released by Black Forum since its re-launch earlier this year.

Can you speak on the ificance of working with both a historical and culturally relevant label? Martin Luther King was ed to Black Forum. They definitely understand us for sure. The album was recorded over a five-day period back in March ; What was the process like getting everyone on board?

Steph Simon: The process of recording took a couple of days. So those five days get a lot of credit for what it did to create Fire in Little Africa. And [Dr. We just put our resources together. Everybody was down with it. Ayilla: I find it so interesting because in Black Wall Street era, there were so many different people coming here.

Because we [also] have every style of hip hop you could think of.

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We have our own sound, which is live hip hop. We have conscious rap. We have street [music].

What do you want listeners to take away from this album? What do you want them to feel and learn? Ayilla: I definitely wanted to invoke conversation. I want people to feel the urge to go and look up the information. And I almost want people to be offended. Because people will be offended. Why did this offend me? And I think that kids can feel the authenticity.

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How can we rebuild as Black people across America both literally and figuratively? Steph Simon: The next step to build is broadening our communication. Because we got the tools to broaden our communication. We built the Black Wall Street in our music scene.

I will say we were successful by doing because we unlocked something which got us to the next step. So we have to start acting like the kings and queens that we say we embody.

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And we hope that will inspire other Black Wall Streets. And not just Black Wall Streets —white people too.

As the centennial approaches, what would you tell the ancestors? Or what do you think they would say? View: For us, Fire in Little Africa is probably the most beautiful light that the centennial events will have for this year.

People truly put their egos to the side.

So, that would be my response. Follow Us. Loading the player .